Publication Date: August 2015
5 x 8 inches
AOP Publicity: Stanley Ashenbach
Cover Design: Matthew Revert
© 2015 Anti-Oedipus Press
Two astronauts travel on the first manned expedition to the planet Venus. When the mission is mysteriously aborted and the ship returns to Earth, the Captain is missing and the First Officer, Harry M. Evans, can’t explain what happened. Under psychiatric evaluation and interrogation, Evans provides conflicting accounts of the Captain’s disappearance, incriminating both himself and lethal Venusian forces in the Captain’s murder. As the explanations pyramid and the supervising psychiatrist’s increasingly desperate efforts to get a straight story falter, Evans’ condition and his inability to tell the “truth” present terrifying expressions of humanity’s incompetence, the politics of space exploration, and the intricate dynamics of psycho-sexual relations . . .
Originally published in 1972, Beyond Apollo incited controversy, polarizing critics and fans despite winning the first annual John W. Campbell Memorial Award for Best Science Fiction Novel. Always disinclined to sell out or compromise his vision, Malzberg became disillusioned with the SF genre, which purported to be the genre of innovation. Paradoxically, many SF editors and publishers worried about unsettling readers’ comfort zones and insisted that authors write in accordance with a set of rules, formulas and codes. Malzberg would neither heel nor kneel; disillusioned, he unofficially retired from the genre in the late seventies and hasn’t looked back. What he produced as a SF writer, however, remains among the best published during the twentieth century—important in its historical context, but also entertaining and thought-provoking in its own right.
Dark, acerbic, funny and smart, Beyond Apollo may be Malzberg’s greatest accomplishment. This special anti-oedipal edition includes an introduction by novelist James Reich and a study guide for use in classroom settings.
BARRY N. MALZBERG is an American writer, editor and agent. His prolific career has spanned numerous genres, most notably crime and science fiction. Malzberg was particularly active in the SF scene of the early seventies, although he became disillusioned with the market forces defining the field and has rarely published SF works since. His most recent activity in the field has been in the form of advice columns for writers in the quarterly magazine of the Science Fiction and Fantasy Writers of America. Malzberg won the John W. Campbell Memorial Award for his novel Beyond Apollo in 1973. Over the years, his writing has been shortlisted for the Hugo, Nebula, and Philip K. Dick Awards, among others.
"There are possibly a dozen genius writers in the genre of the imaginative, and Barry Malzberg is at least eight of them. Malzberg makes what the rest of us do look like felonies!" —HARLAN ELLISON
"Malzberg makes persuasively clear that the best of science fiction should be valued as literature and nothing else." —THE WASHINGTON POST
"One of the finest practitioners of science fiction." —HARRY HARRISON
"Barry N. Malzberg's writing is unparalleled in its intensity and in its apocalyptic sensibility. His detractors consider him bleakly monotonous and despairing, but he is a master of black humor, and is one of the few writers to have used science fiction's vocabulary of ideas extensively as apparatus in psychological landscapes, dramatizing relationships between the human mind and its social environment in an SF theater of the absurd." —THE ENCYCLOPEDIA OF SCIENCE FICTION
"The writer who attempts to use the SF mythos as Malzberg has is bedeviled by the inappropriateness of the 'rules' pertaining to the production and consumption of mass-produced fiction." —BRIAN STABLEFORD
"Malzberg is a true hero." —THE MAGAZINE OF FANTASY & SCIENCE FICTION
"There is no one, with the possible exception of Philip K. Dick, whose works, each one of them, are so unpredictable or so outrageous and outraged." —THEODORE STURGEON
"Barry Malzberg is one of science fiction's most literate and erudite writers." —THE NEW YORK TIMES BOOK REVIEW